Brains Aflame
A student experiential response to James Welling’s “Mind on Fire” exhibition at the Contemporary Art Gallery.
This fourth grouping of photographs explores the effects of intentionally overexposing or underexposing a photograph for compositional or dramatic effect. It takes advantage of the mechanics of the camera to artificially manipulate lighting for dramatic purposes (the foreboding mystery of a low-light "night" shot or the bright, hopeful emotions brought forth by the "heavenly" light in an over-exposed shot). We also challenge the question of what makes a "good" photograph by neglecting traditionally held beliefs about proper technique.
Kevin McAllum
Kevin Mcallum
Kevin McAllum
Nancy Tseng
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